The Moldovan violinist Patricia Kopatchinskaja has, in the past couple of years, gained a considerable amount of popularity. Despite being around for quite a while now, and having previously issued some exciting recordings, some of which with pianist Fazil Say (see here), it seems that now everyone is talking about her (here, here or here for instance). She is on the top of her game and is presently one of the most requested violinists in the industry. But let’s face it, she definitely is one of the most exciting musicians around!
At ease in the traditional repertoire (Beethoven and Mendelssohn are part of her current concerto schedule), she is however especially interesting in modern and contemporary pieces, such as the violin concertos be Peter Eötvös, or the Ligeti (with which she has been touring regularly), among others. Her more recent recording projects include the latter composers, Bartók, Prokofiev, Stravinksy, Mansurian, and Galina Ustvolskaya, a Russian composer, close to Shostakovich, who is now slowly emerging from obscurity. One of her other projects is the recently founded quartet-lab, with fellow adventurous violinist Pekka Kuusisto, violist Lilli Maijala, and cellist Pieter Wispelwey (responsible for two of the most thrilling recent accounts of J. S. Bach’s Cello Suites – see here), which promises to shake-up the string quartet repertoire.
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